Interfacing in sewing is a stiffening textile used to provide support and rigidness to the underside or “wrong” side of fabrics. This is a handy material that can make sewing specific garments simpler by creating a more sturdy fabric. There are many options when looking for the right interfacing to use for a project, so knowing the different types will help in your search.
This style of interfacing is similar to regular fabric in that it has an easy to follow grainline. With this clear direction in the thread, cutting this type of interfacing is simple. Just follow the thread lines or grainline directions when cutting the interfacing just like you do when cutting regular fabric. Though this type is not great for more unique patterns, so stick to more straight-line patterns when using woven interfacing. This style of interfacing is preferred interfacing in straight-line garment sewing because it lays well with the fabrics being used. Since woven interfacing is so similar to standard fabrics and will likely be washed in the future, you should preshrink it, so your end piece isn’t ruined later on.
This type of interfacing is made of bonded fibers and has no apparent grainline. This allows you to cut out patterns in any way you want without having to follow grainline directions. However, this style of interfacing is not as durable as woven interfacing but does not require pre-sewing work. Non-woven interfacing does not need to be washed and preshrunk and does not fray. These qualities make non-woven interfacing great for more unique patterned designs.
This interfacing is made with stretchy and flexible materials that make it great for crafts that will need some give in the end. The one thing to watch for when using knit interfacing is the way you are cutting the interfacing. Knit interfacing stretches really well one direction and very little in the other. So, if you are looking to have a more stretchy and flexible material to work with, you will need to make sure you are cutting the interfacing the right way.
Interfacing is useful, stiffening material that is easy to apply to fabric. One thing to consider when selecting interfacing for your project is how you’d like to apply it to your fabric. The key to successfully fusing your fabric and interfacing is to apply the interfacing to the correct or “wrong” side of the fabric. Apply the interfacing to the bottom of the fabric that won’t be visible. There are two main types of interfacing when it comes to an application: fusible and sew-in.
This type of interfacing has an adhesive or glue-like substance on one side that adheres to the fabric. There are some styles of fusible interfacing that have adhesive glue on both sides of the material so you can have an extra stiff result in your work. This interfacing is a great option to help simplify sewing because it gives you one layer to work with instead of two or more with the potential for shifting.
Sew-in interfacing is an option that can be difficult to work with, but can have a cleaner result. With this style, you align the fabric with the interfacing and sew them together. The only difficulty in working with sew-in interfacing is that you have to keep track of the layer(s) and can make more mistakes.
Make sure that your machine can push through the heavier material. Almost all of the machines I recommend can handle the added material without any issues.
Interfacing is a useful textile in sewing. It's helpful with various crafts when you know how to use it. If you aren’t familiar with interfacing, give it a try. You’ll be amazed by how much it helps with your work.
Sewing notions are the various tools used in the sewing trade. Any tool that assists in the creation of a sewn or handcrafted work is referred to as a notion. In this new 21st century era of craftsmanship, there are so many high-tech notions to choose from that it can be very overwhelming starting out.
Deciding on the best tools to start sewing with can seem daunting because of the massive variety of notions out there. Guides to finding the perfect sewing machine (like mine) are popular, but there isn't as much advice published about notions.
To make life simple, here are 7 basic notions every beginner should have in their creative arsenal.
The thimble, i.e., the little metal hero that has been saving fingertips in the sewing world for over 2000 years. Thimbles are wonderful notions that are handy for any sewing task. They protect your fingertip so you can push a needle through fabric as many times as you want and not end up with a sore finger. No matter you’re experience level, having this sewing notion is a must.
Shears are basically the larger, sharper, fancier version of your everyday pair of scissors. Shears are heavy duty and are handy for larger fabric cutting jobs, but regular scissors also have their use. So, keeping a pair of both crafty cutters in your sewing kit is a great idea.
Needles are an obvious notion of owning, but there are certain styles to consider depending on what you’re planning to do and what your skill level is. The easiest thing to do when you’re first starting is just to go out and get a variety pack set of hand needles and machine needles. These sets will give you a needle for just about any job.
This handy sewing notion is a must have in any seamstress’s toolkit. Sharp seam rippers are great for fixing sewing mistakes at any level without ruining the fabric or ruining any of your finished work. There is no need to spend a ton of money on this sewing notion, so long as it is sharp, it will do the job.
There are so many sewing machines on the market today that deciding on one can be difficult. As a beginner, it is wise to just stick to the basics. Don’t get an over complicated machine that will empty your pockets and leave you confused. To keep things simple, just start by finding an affordable machine that you will be able to use or learn to use easily.
An extra-long and flexible measuring tape is a necessary sewing notion. The key to getting a good measuring tape is finding one that doesn’t stretch. If you have a stretchy measuring tape, your measurements will be inconsistent and inaccurate. No matter what your sewing level is, if you don’t have accurate measurements or have imprecise tools, you will struggle.
Erasable markers, pens, and pencils are all necessary sewing notions you should have in your sewing kit. Being able to mark your fabric where you need to cut or stitch will make your crafty life considerably easier. The best thing about these notions is that they are designed to disappear after you wash, iron, or steam the fabric.
Diving into the sewing industry can be a stressful experience if you don’t know what tools to start with. Listed above are just 7 general sewing notions that are great beginner recommendations. The best thing about these sewing notions is that they don’t need to be brand new or super fancy and expensive to work. Just get the notions you need, start sewing, but always remember to have fun!
A common rookie mistake people make when they first start sewing is not properly preparing their fabrics. Before you put in all the time and effort to create that impressive end product, know the fabrics you are using and what you are using them for so you know if they need to be washed.
There are many reasons to wash fabric before sewing. Opinions vary across the industry on this topic, but there are three general ideas behind prewashing that seems pretty even across the board.
If you are crafting items like fabric wall art, dolls, and other items you have no intention of washing, then there is no need for you to spend the time worrying about washing the fabric. However, if you are crafting custom garments, quilts, tablecloths, and similar pieces you will be washing when they are finished, it is a good idea to do so before you start sewing.
Washing fabrics intended for wear and use before sewing will eliminate shrinkage in the final piece. You don’t want to spend time creating a beautiful dress you can strut your stuff in only to wash it and end up with an oddly fitted shirt.
Know the type of fabric you are using and wash on the setting that will do the most damage regarding shrinkage. Take natural fiber fabrics like cotton. Cotton shrinks terribly in hot water, so prewash cotton fabric in hot water. This will save you from any unexpected fabric shrinking when your piece is finished.
Prewashing fabrics more vibrantly colored fabrics (reds, dark blues, purples, etc.) will remove excess dye that could do damage to your work in the future. The easy thing about washing fabrics that have bleeding potential is that you can wash them with your regular laundry. Two birds, one stone!
Test the fabric first to see if it will bleed. Take the fabric in question and pair a sample of it with a sample of light colored fabric in warm water and soap and let sit. This will give the samples fabrics time to mingle and potentially bleed. Another test you can do is to wet the colored fabric with warm, soapy water and place it on a paper towel for a time and see if it bleeds onto the towel.
If you are looking for that washed-out, watercolor painting look to the finished product, then hold off on washing. Wait to wash a heavily dyed piece until you’ve finished and let the dye work its colored magic.
When you purchase a new piece of fabric fresh from the factory, there is a protective coating on it. This can either be a good thing or a bad thing depending on what you plan to craft. Actually, some of the cheaper machines can jam up quickly if you don't remove some of the "stickiness" of the fabric. Some of the better sewing machines can handle it though, so keep that in mind.
Some crafty creations are more difficult to construct with washed fabric because the tumbling of the washer will remove the protective stiffness of the fabric and make edges less clean and more difficult to work with. Thus, you don’t need to wash fabrics that will not be washed when finished.
Other sewing products are easier to work and turn out softer if they are prewashed, and the coating is removed. So, it all depends on how you prefer your fabric to feel when you work with it and when it is finished.
Every seamstress has their own preference when it comes to washing fabrics before sewing. So, it really depends on you, what you like, what you’re making, and how you want it to look and feel. So, run some fabric tests, have some fun, and go craft some amazing stuff!
There it sits, your latest sewing project, waiting for the finishing touches. But all those buttonholes still to be done, your heart sinks. What were you thinking? Surely it would look just as good with Velcro instead of buttons, wouldn’t it? Then again, the buttons you’ve selected are the perfect finishing touch. The days of hand sewing buttonholes are in the distant past (thank goodness), your sewing machine makes the job quick and easy to do.
There are as many ways to make a buttonhole using a sewing machine as there are brands of sewing machines. This article will cover the basics of how to get from start to finish with a minimum of fuss so that your project is finished with professional looking buttons and the buttonholes to match.
The first thing you’ll need to do is get out the pattern you’ve been working from and transfer the button guidelines from the pattern. You probably carefully marked all the buttonholes before removing the pattern paper, but all those marks have now vanished inside the project because they were marked on the side of the fabric that is currently facing in. The puzzle of why pattern designers don’t recommend marking the right side of the fabric so that you can see the buttonhole marks when you’re ready to sew them has always puzzled me, especially when I’ve carefully folded the pattern up and put it away for the next time I want to use it!
Transfer the buttonhole guidelines by pushing a pin vertically through all the layers of fabric where the buttonhole will be. Make a small dot on the material where each pin goes through with a quilting pencil, tailor’s chalk, or other marker that will wash out. Draw a straight line with the same marking device using a ruler. Center your chosen button on the marked buttonhole line and carefully make small dots at the widest point on either side of the button. If you are using the button to mark the end points of the buttonhole, you will need to draw a short vertical line at a right angle to the line where the two marking dots that you made using the button are.
Now that you’ve got all the buttonhole markings transferred, you’re ready to start sewing. The idea behind making a buttonhole on your sewing machine (if you need a new machine, check out these) is fundamental. If you were sewing the buttonhole by hand, you would make sure that your stitches were close together and there was extra thread covering the cut edge of the buttonhole that the button will be sliding through. Using your sewing machine, you’re going to make small, even stitches down each side of the center line that you have marked, plus you’re going to put longer stitches across the center line where you’ve marked the ends of the buttonhole. These wider stitches at either end are essential because they reinforce the ends of the hole and help the buttonhole itself keep its shape.
If you have enough fabric, now would be a good time to do a test buttonhole so that you avoid getting halfway through your first one and realizing that your stitch width is too narrow or it is too close together. Remember to use at least two layers of fabric so that you get a feel for how your sewing machine moves the material between the presser foot and the feed dogs. Bulky fabric with an extra layer of interfacing can be difficult to sew through until you get a feel for it, the same goes for very fine material that can slip and make keeping your stitches in a straight line difficult.
Set your sewing machine stitch for a very narrow, tightly stitched zigzag stitch. Starting at one end of the marked line for the buttonhole, manually raise and lower the needle a few times so that you can see exactly where your stitches will be in relation to the buttonhole. One side of the zigzag stitch should be close to, or even touching the buttonhole line, while the zag part of the stitch should be a little bit away from the line. If your sewing machine allows you to set the needle position (left, centered or right), then you can choose either the left or right side for your stitches and use the center guide line on the presser foot to follow the drawn buttonhole line.
Zigzag down the entire length of the buttonhole, keeping the stitching close to, but not covering, the marked line. When you get to the mark that is the end of the buttonhole, return your needle position to center and set the zigzag stitch to a wider one that will go from one side of the buttonhole to the other. Keeping the zigzag stitch set to close together, do five or six back and forth stitches to make the end of the buttonhole.
If your machine allows you to put your needle on the opposite side of the buttonhole, set your stitch width back to the narrow zigzag you stitched along the first side and use the reverse feature on your machine to carefully sew backward along the center line. Using a clear presser foot is recommended so that you don’t lose track of where the stitching line is. Once you have reached the end of the buttonhole that you started from, return your needle position to the center and do five or six wide zigzag stitches close together to cover both ends of the tight buttonhole stitches.
If you’re not able to change the position of your needle from the center, you can still do the above steps but it will mean repositioning the fabric under the presser foot, and you will have to carefully watch where the zigzag stitches go along the side of the line that you drew. You will need to move the fabric over so that the line is centered on the presser foot when you stitch the ends, and for the return trip down the opposite side of the buttonhole you can either turn the project so that you stitch down the second side forward, or position the fabric so that the opposite side of the small zigzag stitch is on the opposite side to the one you just stitched as you use your sewing machine’s reverse feature to go back down the other side.
After you have made the second set of wide zigzag stitches at the end of the buttonhole, set your machine back to the regular straight stitch and do three or four very short stitches together, this ends the stitches and saves you having to tie off the loose ends. If you wish, you can skip the short straight stitches but once you have taken the fabric out of the machine and cut the thread ends, you should pull the top thread from one of the zigzag stitches to the wrong side of the buttonhole and tie the top thread and the bobbin thread in a knot to keep everything secure.
Open the buttonhole by making a small hole with a seam ripper. You can cut the whole buttonhole with a seam ripper but a word of caution – it is very easy to cut right through the end stitches, ruining your newly sewn buttonhole. To avoid this, place a straight pin at the end of the buttonhole in front of the long cross stitches to stop the seam ripper when you reach them. You can also use small scissors to cut the hole, using tiny snips to avoid cutting the end stitches as well.
There you have it! A beautiful buttonhole, sewn on your sewing machine.
Did you know that around 85 percent of all women are wearing the wrong size bra? For some women, it's easy to find the right bra just by stepping into a store, but for a lot of women, it involves a shopping trip that calls for packing a lunch and planning a route map on their phone. And when they finally find the right bra, the style will probably be discontinued next season. No wonder so many women just sigh and compromise with basic white or beige!
If you want a stylish bra that really fits, you don't have to spend an entire paycheck on a tiny bit of fabric. If you're willing to give up an afternoon or an evening, you can create your own bra with the style, the fabric, and the fit you love. It may look like a complicated project but trust us. If you can cut and sew a quarter-inch seam consistently, you can make your own customized bra. This DIY bra won't look "homemade," it will rival anything you find in a lingerie store. Even better, it will be the color and fabric you love, not just what the stores are offering this season.
You've got four different options to choose when you design your bra:
The style of bra you want to make will help you to choose which option to pick for your bra. For instance, a push up bra will have very different cup options from a smaller bralette. The cups on a nursing bra will have to include extra connectors to allow the covering to be removed for easy access. Choose a bra you like and are comfortable wearing every day for your first attempt at bra making.
The first and most important step in making a bra that fits is taking your exact measurements. Do this by wearing your best-fitting bra, especially if you are large-breasted. You'll use these measurements to find your bra band size and your correct cup size.
Stand in front of a full length mirror and measure around your rib cage. Make sure the tape measure is level and is pulled snug around your body. Take this number and add either four or five, whichever one gives you an even number. That will tell you your bra band size.
Next, measure around the fullest part of your bust. Keep the tape level again, but don't pull the tape snug this time. Subtract your bra band size from this measurement to get your cup size. If the difference is one inch, you're an A. Two is a B, three is a C, four is a D, five a DD or E, six a DDD or F, and 7 is a FF. Put your bra band size and your cup letter together to discover the base bra size you need to create. This will let you know what size pattern to buy for your project.
An underwire will give your bra maximum shape and support, holding the cup in place in a fixed diameter. This is a benefit for all women; even those with smaller cup sizes. If you've had complaints about underwires in the past, they were probably due to bras that didn't fit correctly, which can cause the wires to poke or pinch. If you don't want to include an underwire in your bra, consider a thicker fabric for a bit more support.
When you create your own bra, you have the freedom to use any type of fabric you want, including bright colors, unusual prints, or even Highland tartan, if you like. Your best bet, for this first project, is to choose a stretch fabric like a stretch Lycra/nylon satin with a two-way stretch. The ease from the stretch fabric will make it easier to fit the bra and will make it easier to fudge small errors. When you fit your bra as you sew it, this will be a significant advantage.
Preparation will save you all sorts of frustration, especially if you've never attempted to make a bra before.
When you begin to lay out the pattern on the fabric, it's important to pay particular attention to the grain lines. When used with knit or stretchy fabrics, it's meant to go in the direction of the fabric's greatest stretch. Depending on your fabric, this could end up meaning your layout is different from the one recommended in the instructions.
The fitting of a bra is so crucial that even 1/8 inch error is enough to throw off the fit of the finished garment. A rotary cutter and mat, along with a set of weights, is the most accurate set of cutting tools you can use.
Creating a bra is a matter of just a few simple steps, done very carefully. You'll make the cups and join them to the band. After that, you'll add elastic, straps, and some type of closure.
Place the upper and lower cup pieces, right sides together. Put a pin at each end of the seam, and at the dot or notch. Place the fabric with the lower cup against the throat plate. This will aid in adjusting the material around the curve. Stop every few stitches with the needle through the fabric and move the fabric to reposition the edges. This eliminates the need to put lots of pins in the edges. To finish the seam, either press it to one side or press it open, topstitch the seam, then clip it close.
When you finish the band edges with elastic, cut it slightly shorter than the band, then stretch it to fit during the stitching process. The best technique for this is to use a three-step zig zag and sew it down the center of the elastic. Later, when you attach this band to the outside of the cup, continue stitching all around until you reach the center front. This line of stitching will show you where to place the channeling that will hold the underwire.
The best underwire channeling you can buy in stores is made up of several layers and gives you lots of cushioning. You can also make your own channeling with a finished width of 3/8 inch. Try using two layers of cotton flannel cut on the bias.
To add the channeling, lay one bra cup on the table, right side up. Fold the other cup and the bra band out of the way, and lay the channeling along the stitching line you made with the band. Pin along the entire seam, leaving at least 1/2 inch extra on either end. Stitch close to the inner edge, pulling on the channeling as you sew. This will help it to roll toward the inside. Insert the wire, then stitch the ends closed. Be very careful when sewing in the underwires. If your needle hits the wire, you could suffer an eye injury or break your machine.
Whether you've decided on a center closure, like that in a strapless bra or other fashion bras, or a basic closure for the back, the key is to create a smooth finish without lumps or other uncomfortable issues. Tuck all raw edges under and sew them in place, then try on your bra to check for any spots that need to be adjusted.
Now that you've finished your first bra, you've opened up an entire world of clothing to create. Use this same technique to make a sports bra, customized bra, and panty sets, or pretty lingerie in a rainbow of colors. You can even change a few small details and create your own custom bikini for the next time you take a vacation at the beach. You're no longer stuck with whatever style of bras the stores are currently carrying; your lingerie wardrobe is entirely up to you!
You’ve decided to take up sewing!!! That’s exciting news.
Sewing is an activity that has existed for as long as there has been a need to join two pieces of something together to make some sort of covering. Adam and Eve started things off using leaves. Whatever humans are wearing, even today, it is likely that some form of sewing has been involved in its creation.
The word “sew” means to join or fasten something together firmly. As you can appreciate, Neanderthals struggling to keep their warm furs tight around them would appreciate the creativity of the seamstress in their cave who figured out how to use animal sinews to hold the bulky furs firmly in place without letting in the cold winter air.
In most sewn items, a sharp, pointed object, a needle, for instance, is used to make a hole in each of the pieces to be joined together. A joining fiber or thread is then passed through the holes on each of the pieces and pulled tight. Repeat this process a few thousand times, or so and there you have it, a sturdy garment or bag, ready to wear or otherwise use.
Early sewers likely used thorns and sharpened bones to make the holes that they needed in the skins they were joining together. Animal sinew or long, tough plant fibers were used to join skins or large leaves. Examples of such craftsmanship have survived down to this day and are on display in museums around the world. The clothing worn by the Huldremose woman is over 2,000 years old and is on display in a Danish museum. Her clothing was well preserved and is an excellent example of the care that was taken when sewing garments by hand.
The foundation of all hand sewing hasn’t changed since the first time someone decided to join two pieces of something together. Early sewers used fine, sharp objects to make holes that they then passed a thin cord or piece of plant material through and tied off in some fashion. While twine or another type of thread made from sturdy plant fibers isn’t in common use today, cotton and linen threads are widely used, and thin leather strips used as lacing can be seen on many fashionable sewing projects.
Early sewers were concerned with creating something functional with a minimum of fuss. Sewing by hand remained the primary way to join fabrics together for centuries. A visit to any museum will give you an appreciation for the effort that our ancestors put into sewing. Clothing and household items were generally loose fitting and shapeless, but decorated with ornamentation from nature, like seashells.
Adding holes allowed a seashell to be attached using a variety of threads. Thin strips of leather, animal sinews and tendons and even threads made from plants were used for attaching such decoration. If you’ve ever tried to pull apart a Clematis vine, you can appreciate how well it would work for joining something like a skin bag together. The same goes for the plant Old Man’s Beard, also known as Spanish Moss. The plant may appear delicate, but when turned into twine and used in a sewing project to hold fabric together it has incredible strength and resists breaking.
A step up from using thorns to make a hole in skins came when the first sewers created needles. Sharp thorns had been used to make holes in leather, and tough yet flexible leaves were adapted to use for pulling the fibrous “thread” through the material. Early needles made from animal bones followed these leaf needles and carved wooden needles also were used. It is interesting that needles carved from the wood of a Holly tree are noted for keeping their point and not breaking. These sturdy needles can still be found occasionally in some areas, being used for mending nets. Any modern-day seamstress knows that a needle that doesn’t bend or break and keeps its point is a truly valuable tool.
Things that we take for granted today, like buttons, were made from items that were readily available in nature. One of the earliest examples of a button is a seashell, discovered in the Indus Valley. Such seashell buttons were more for decoration than joining pieces of fabric together. Buttons as a type of fastener didn’t become popular until sewers in Germany began using them to fasten clothing more tightly while making it easier to put on and take off garments.
Fabrics used for sewing have also come a long way since the early days of skins and leaves. This growth in available materials for sewing resulted in sewing projects beginning to have more pieces and shaping. The invention of scissors for cutting was a giant leap forward, providing an easier way to cut fabric with more precision.
Once you have mastered the basics of hand sewing, you’ll be eager to try new projects that take your skills to an advanced level. Whatever the project, whether it is creating a beautiful quilt or delicate embroidery, the foundation principles developed by creative sewers to join pieces of material together will always apply.
At one time, hand sewing was the only to create clothing but then came the Industrial Revolution, and the face of sewing changed forever. Making clothes moved from small shops employing armies of sewers laboring for days to complete just one dress or uniform, to a factory setting where machines took over the monotonous task of pushing a needle and thread through fabric to create a firm join with uniform stitches.
Clothing was faster and easier to make and the sewing process much less labor intensive, but the size of the average industrial sewing machine kept it firmly in the factory. Who it was that created the first practical sewing machine for home use remains murky. There were lawsuits and counter-claims galore in the mid-1800’s when inventor Elias Howe patented the first practical sewing machine for home use.
Home sewers rejoiced to have a machine that accomplished in a fraction of time what they used to labor over for hours. Sewing clothes and mending became much easier, most people today when they think of sewing, and visualize themselves working on some type of sewing machine to produce their project.
All sewing machines use the same principle as hand sewing. Something — thread — is put through a small hole in a thin, pointed object, otherwise known as a needle, and then the needle is used to push through two pieces of fabric, pulling the thread through behind it. Early sewing machines were powered by a hand crank or a treadle that ran a simple pulley system, pushing the needle up and down while other parts of the machine moved the fabric past the needle. Industrial sewing machines today have kept features like moving sewing heads for completing large projects, but the core design of those early sewing machines for home sewers remains.
In hand sewing, stitches are made one or two at a time, and it may be necessary to back up and go over the same section to make sure that make the stitches hold more firmly. Early sewing machines were designed to make a chain stitch using two separate threads, but initially, there was no way to finish off the stitches resulting in a beautiful looking line of stitching that came apart easily when one of the threads was pulled unless the two thread ends were tied off. While the sewing machine proved to be time-saving, more work was needed on the stitches it produced for it to be practical for home users.
It wasn’t long before designers found new ways to hold stitches together firmly and sewing machines became a standard of modern households along with refrigerators and stoves. A treadle sewing machine was the foundation of many homes and is still coveted by sewers who live in areas where the electrical grid is unpredictable.
The range of sewing machines available today is truly staggering. There are basic sewing machines that handle 20 or more different stitches with ease. Threads and fabric are cut by the machine as you sew using some machines, and today a well-sewn seam is often the strongest part of the project, especially if the thread is stronger than the fabric.
There are even specialty machines that have been developed for specialized types of hand sewing. The addition of a computer chip to modern sewing machines has allowed many home sewers to turn out beautiful embroidery projects, minus the blood-stains and infected fingers that are a component of learning to embroider by hand. The same goes for quilting, another hand sewing project that takes years of practice to perfect. A specialty machine saves time and effort even for those just beginning to sew.
Now that we’ve had a brief look at the start of sewing, you’re probably eager to get busy and start creating something. There are still lots of decisions you’ll need to make about the basics you require but understanding how sewing got started gives you a good foundation for moving on to sewing something of your own.
Before you can start sewing anything, you will have to decide what your first project is going to be. As mentioned before, any sewing project involves the same basic idea, you’re going to join two pieces of fabric together to make something. Clothing, home accessories or even a coat for your pet, any project that involves fabric by its very nature will require some degree of sewing.
If you are someone who has decided to start sewing, that first project could well be because you have discovered a large hole in a favorite garment, want to make a special quilt for a first grandchild or are fed up with the high cost of buying clothing for your kids.
By the way, now is a great time to get your kids started...no matter their age. I put together an entire guide to sewing machines for kids and teaching them to sew.
Sewing has long been the favored method for the budget conscious to repair damaged garments and avoid the expense of having to buy clothing or home accessories.
No matter what type of project you’ve decided to start with, any sewing that you do will require at least a few essential items to make your first adventure with sewing into a pleasant experience. One that you’re eager to repeat!
As keeps getting mentioned, sewing involves that you have at least a needle and thread. Pins are next on the list of must-have sewing supplies followed closely by scissors. Unless you’re determined to get the full sewing experience and do your project by hand from start to finish, a sewing machine is also recommended.
Two more essential tools for sewing that often are overlooked in a rush to start putting things together (and trying them on — if you’re making clothing for yourself) are an iron and ironing board.
Fabric and a pattern round out the list of basics that no one who is learning to sew wants to be without.
Now that you’ve got an idea about what you’re going to need to start sewing let’s break these items down and see the reasons that no sewing room is complete without having them on hand. More details about each item can be found in the section on Sewing Supplies
No discussion of the basics that you need for sewing would be complete without looking at sewing machines. If you don't have a machine and are looking for the best, check out our sewing machine reviews. Hand sewing is unavoidable for certain projects, but for someone who is just taking their first steps in any type of sewing, it is wise to become familiar with modern sewing machines and how sewing projects can be created easily and quickly with a basic sewing machine.
The idea behind a sewing machine is simple. A needle-like one used for hand sewing moves evenly in and out of the fabric, pushing the thread through all the layers to be joined together. Another thread comes from the bobbin located under the main sewing surface and thread from the needle loops around it creating a firm stitch. Repeating this basic straight stitch 6 — 10 times per inch quickly creates a strong join and gives first-time sewers a feeling of satisfaction at what they have accomplished.
Modern sewing machines come with incredible functionality that quickly lifts a beginner’s sewing projects out of the ordinary. Fancy stitches and more are now available on even basic machines at the touch of a button. Here are some of the basic stitches that you will frequently be using when you use a sewing machine:
If you don't have a sewing machine, I did an extensive review of what I consider to be the best sewing machines for beginners.
You’ve got your sewing machine, decided on a project and are itching to start sewing. Before you cut anything out though, there are still some basics that a beginning sewer needs to make their project go smoothly from start to finish. I’ve been sewing for close to 20 years now and one of the things that frustrates me the most whenever I start a project is having to leave what I’m doing because I have forgotten my pin cushion and seam ripper in the last place that I was working with them. It would be even more frustrating to realize that you could use one of these sewing essentials and you don’t have them at all, meaning a quick trip to the store will be in order.
There are three basic parts to a sewing needle. The shaft is the body of the needle, long and sturdy and thin enough to pass through fabric easily. The eye is a small (sometimes very small) hole that the sewing thread goes through. Last is the point of the needle itself, where the shaft of the needle tapers down to a wickedly sharp point, just ask anybody who has been poked or perhaps stuck themselves with one, whether by accident or on purpose.
Hand sewing needles come in a variety of thicknesses and weights. They are all the same in that there is a hole in the thickest end where the thread goes. The needle tapers to a fine point at the opposite end from the eye. This point is generally extremely sharp, but it can become dull in time after being pushed through some of today’s fabrics. In addition to a basic sewing needle that can be used for most sewing done by hand, there are several specialty needles that a beginning sewer should be aware of.
Sewing machine needles have all the same features of a standard needle, but they are all a standardized length and have a slightly thicker section at the opposite end of the eye of the needle. This section is rounded with one flat side. The needle is inserted into the sewing machine (flat side facing away from you) and held in place by a small screw that must be tightened before sewing starts so that the needle doesn’t fall out of the machine. The eye of the needle is close to the point.
Needles used in sewing machines are available in one length and standard weights. Weights are given in American and European form. The most common sizes that the beginning sewer will use are 12/80, 14/90, or 16/100. Most packages of sewing needles will show the needle size on them in this format, which is American/European weight.
With so many types of needles to choose from for your sewing machine, a beginning sewer will be relieved to know that there are three basic types of thread that will get the most use once they start sewing. What the thread is made from is important as well as the weight of the thread.
When you are first starting to sew, you will be most likely to use thread made from polyester, cotton, or a blend of the two. Specialty threads are out there, but until you are comfortable sewing fabric that is a little more challenging, stick to the basic threads, and your projects will turn out well.
As you stand in front of the thread selection at your fabric store, you will see that polyester thread is the clear favorite of manufacturers. It is strong enough to handle virtually any sewing project you might want it for, and the color array is mind blowing. Pay attention to the color number so that you can get additional thread if you accidentally don’t buy enough. Knowing the type of thread you’re using is important because cotton thread — like cotton fabric — can shrink after sewing which could cause problems if your garment is made exclusively from polyester material. An excellent choice for beginning sewers is a cotton wrapped polyester thread which is durable and works well for most sewing projects.
A general rule of thumb as you start your adventure in sewing is that you can never have too much white (and black) thread. The staples in my sewing room are a 1,000-meter spool of white polyester thread next to a 500-meter spool of black polyester thread. These two spools handle just about all my sewing needs on a daily basis, and I’m always sure to have an extra bobbin or two filled with them ‘just in case.'
Most spools of thread have the weight indicated on them somewhere, but it can be time-consuming to search around the outer edges of a spool looking for it. Manufacturers have standardized the descriptions of the thread to give you a quick way to decide on the weight of thread you want to use. The thinner, or lighter weight the thread — meaning it will also break easily — the higher the number. Often the weight is shown followed by a slash with 2 or 3 behind it — for example 40/3. This is telling you the number of plies in that tiny strand of thread.
If you have difficulty imagining your house without scissors, it is even harder to imagine a sewing room with only one pair of scissors. From all-purpose, crafting scissors to tailor’s shears and electric scissors, a well-equipped sewing room will always have at least one pair of scissors within easy reach.
When you are first starting your sewing project, as soon as the pattern is pinned in place it will be very tempting just to grab your kitchen scissors and start cutting. Don’t give in to the temptation. Kitchen scissors work well in the kitchen but to make the best cuts in that beautiful fabric you have chosen you will need a pair of scissors that are only to be used for sewing. My household of men quickly learned that taking Mom’s sewing scissors to cut out something they wanted to save from the paper was NOT a good idea. Scrapbookers everywhere will tell you that nothing dulls scissors faster than cutting paper with them.
The scissors that live in my kitchen have also been used to cut interesting things like thin wires and other items, so they have more than one unexpected dull spot that can make a mess when I pick them up by accident and try to cut even a small piece of fabric. Thread can dull scissors as well so it is wise to have a special pair of scissors handy to your sewing machine just for snipping threads unless your sewing machine has a conveniently placed thread cutter.
A rotary cutter features a single cutting edge that sewers can use to cut out fabric. Although the first rotary cutter was designed for cutting out clothing, it quickly turned into the favorite tool of quilters.
An extremely sharp circular blade is attached to a handle with a blade guard that slides into place to protect the blade and unsuspecting fingers that might pick up the cutter by accident using the wrong end. Blades can be sharpened and come in a wide range of sizes. It is even possible to buy specialty blades to cut zigzag lines giving a finished edge to the cut fabric similar to what you get using pinking shears.
Sewing Notions are defined in Wikipedia as small objects that are usually attached by sewing to a larger project. The article also says that this is a very broad definition that also covers any small tool or item used in the act of sewing. That’s why in the notions department of your favorite store that also sells fabric you’ll find enough small things to entertain a toddler for hours and a serious sewer for a lifetime.
The following are some items that you could make do without when you start your first project but having tools that are designed to help make sewing easier will make your sewing go more quickly and keep your frustration to a minimum right from the start. Needles and thread aren’t included in this list because they are basics for any kind of sewing and they deserve a section all their own.
The seam rippers and marking tools mentioned earlier are all classified as notions, but you won’t find these included in the section on the back of most patterns that lists the notions you’ll need to complete the project you’re considering. While you can use different types of the notions listed below, most of them are necessary for the finished product to turn out the way you expected.
You’re standing in the middle of your local fabric store and if it is your first visit you may be feeling a bit like Alice in Wonderland. Beautiful fabric everywhere you look, hanging on long rolls and displayed on small circular tables. For someone who is planning their first project, there can be too much choice available, and it is very possible that you’ll end up walking out with fabric that you absolutely adore, but that is also one that just won’t work for the project you have in mind.
Your first line of defense against getting fabric that will seem like it is fighting you every step of the way is talking to the salespeople at the store. Since they deal with fabric all day every day, they will likely have some good suggestions as to the best fabric for what you’re trying to make.
If you are using a pattern, the back of its envelope (or the instructions on-line) will give you suggestions for the type of fabric to use. Experienced sewers may be able to get away with using a different fabric than the one recommended by the pattern designer, but for someone just starting out, it is best to stick with what is recommended. The designer has already taken into consideration the weight and texture of the fabric and visualized how it will look when sewing is complete.
The first rule of fabric is to decide on your pattern first. If there are no fabrics specifically recommended on the pattern, don’t fall into the trap of assuming that any fabric will do. Take some time to talk with an experienced sewer.
People who work in fabric departments or stores are a great resource for finding out about what fabric you should use. Many fabric stores have displays up of projects that have been sewn by the staff members so their insights on how a fabric will work — or not as the case may be — are very valuable to someone who is just starting out.
It is always a good idea to prewash fabric before sewing. Most fabrics come with some sort of finish put on them as a preservative to keep them from fading or otherwise arriving at the store in less than perfect condition. Cotton will always shrink when it is washed at first, so it is wise to prepare your fabric by washing, drying and ironing it before starting to work with it.
The fabric store is full of them. Delicate, clingy fabrics that feel so wonderful to touch. Beautiful, body hugging knits are plentiful too, but they can stretch in unsuspected ways and all your careful cutting and piecing together ends up stretched completely out of its intended shape when it comes out of your sewing machine.
Cutting these delicate fabrics is also challenging. Even though you’re sure you are cutting right along the line of the pattern that you have carefully pinned in place, they are easily pushed out of alignment by your scissors, giving you a jagged line instead of a smooth edge that you can use as a guide to keep your seams straight.
Knits can be especially difficult for beginners to work with since cut edges tend to roll up and they get stretched and pushed by the scissors when you cut them, making the cut edges uneven.
Like anything else, sewing has a vocabulary all its own. While you’re not very likely to hear anybody other than a weaver talking about the ‘warp’ or ‘weft’ of fabric — these terms both refer to the threads that are woven lengthwise and crosswise in fabric — there are some basics that anyone starting to sew should be familiar with.
Fabric terms or descriptions that you want to take note of are ones you see on patterns under the heading of ‘not recommended for”. Many a beginning sewer has come to grief when they overlook these suggestions, it takes a lot of experience and talent to make an unsuitable fabric look good in unexpected styles, that’s why clothing designers get the big bucks.
The terms that follow are important because you’ll see them a lot on patterns. Knowing what a pattern means by its instructions, along with why certain fabric descriptions are important will help your sewing get off to a good start. No one likes to start something and end up throwing it into the garbage halfway through because the fabric just isn’t working the way you saw it in your mind.
It may seem a strange idea to read through a pattern before doing anything else, but even the most experienced sewers take the time to look through a pattern they haven’t made before because it offers helpful suggestions all the way through that will keep you on track. While the placement of the pattern pieces on fabric often is not crucial in beginning projects, it is still a good idea to know how individual pieces look before they are sewn together. The instruction sheet offers suggestions about how to lay the pattern pieces out on your chosen fabric as well. Different sizes will often require different pattern layout, so it is wise to have a look at how it is recommended to lay out your chosen pattern in the right size before starting to pin it to the fabric.
Most patterns today come with multiple sizes marked on the same pattern. Cutting lines for these sizes are shown by different line styles, usually with a small arrow pointing to the line at a few places on each pattern piece, showing which line is for which size. When cutting curves like armholes or necklines, you’ll notice that these lines converge until they are virtually on top of one another. Do your best to cut on the proper line, even in these circumstances because otherwise your sewing may bulge or sag in ways that you don’t want it to.
If you think you may want to lengthen or shorten your garment, there are marks on the pattern pieces that show where is the best place to make this type of adjustment. Looking for these marking in advance will save you trying to figure out how best to shorten something without ruining the line of it. Other instructions that are shown on the pattern piece is how many pieces of it you’ll need to cut. Generally, most pattern pieces are cut from two layers of fabric, but some parts may require four pieces while pockets and facings may only need one piece each.
Patterns are mostly printed on flimsy tissue paper. The tissue paper used is sturdy enough to be used multiple times but will often tear unexpectedly. You will need to cut apart the pieces of the pattern that you are planning on using — remember that even though tissue paper is flimsy, it is still paper and you shouldn’t use your sewing scissors for cutting out the pattern. Ironing all the pieces you will be using with a low heat setting on your iron will flatten them out nicely, and you can be sure that you cut the piece out correctly.
Once you have ironed all the pattern pieces flat and prepared your fabric, it is time to get down to the serious business of pinning all those pieces to the fabric. By this point in the process, you have already looked at how the pattern designer recommends the pieces are positioned, and for beginners, it is very wise to follow these instructions.
Marks on the pattern show how the piece should be positioned so that the straight of grain runs correctly in the finished item. Use a meter stick or other long ruler to measure the distance from the grainline on the pattern to the selvedge. Once you’re sure that the first grainline is even with the selvedge, you can use it as the measuring point for other pattern pieces. Some pieces — like waistbands — may be designed to be cut on the bias to maximize the stretch available even on non-stretch fabrics so note carefully where the straight of grain marking is on each pattern piece you are cutting out.
Don’t skimp on the number of pins you use to hold the pattern to the fabric. Put the pins in parallel to the cutting line and close to it, so that the pattern will stay tight to the fabric when you start cutting. Avoid pinning at right angles to the cutting line because it can be very easy not to notice a pin when you’re cutting a long edge. Pins will dull your cutting scissors almost as quickly as paper.
Your prepared fabric should be ready to go. It has been washed and pressed and most importantly, put with the right side of the fabric facing in. There will be some marks that need to be put on the fabric as sewing guidelines, and they should always be placed on the wrong side of the fabric unless otherwise indicated.
Cut with long, even strokes if possible and do your best to stay right on the marked cutting line. This is especially important if you are using a pattern with multiple sizes printed on it and you lose track of which size you meant to be cutting out.
Use scissors with long, sharp blades and do your best to stand with your body at right angles to the scissors. You may have to move the fabric with the pattern pinned in place to find the best cutting angle, but it is important that you are comfortable when you cut out multiple pieces. When I have overlooked this simple bit of advice, I’ve even ended up with blisters on my thumb as my comfort grip scissors were held too awkwardly in my hand to work properly. Leaning across cutting surfaces can also cause back problems or aggravate existing issues. As well, any motion that you make multiple times unnaturally can lead to repetitive stress injury.
As you cut each pattern piece from the fabric leave the tissue paper in place and put the piece to one side. Move the fabric on the cutting table if you need better access to the next piece you want to cut, or else move around so that you’re not leaning across the cutting surface or cutting at an awkward angle. Reaching across and cutting parallel to yourself instead of at right angles can make your cuts end up further away from the cutting line than you would like.
Once you’ve finished cutting out and cleared off the cutting surface, it is time to transfer the pattern markings from the pattern to the fabric. When I was first learning to sew, my teachers insisted that all marks on the pattern must be transferred using dressmakers carbon paper and a tracing wheel. This is a tedious task that has mostly disappeared from use by beginning sewers. While dressmakers’ carbon paper and a tracing wheel do still have a place in a sewing room, most easy projects really don’t require them.
The marks that are necessary to be transferred from the pattern to the fabric are ones that are essential to the look and fit of the result. These may be dots for positioning pockets, or dots and lines showing dart placement and the stitching line. There will also be notches on a pattern, designed to help with aligning pattern pieces that need to fit in a specific way or to make sure that a long seam will match at the top and the bottom. Dots on patterns also show button and buttonhole positioning as well as zipper placement.
There is a wide variety of marking instruments on the market today. The most common way of transferring dots and lines is by pushing a pin through the tissue pattern piece in the center of the marked dot, making sure that the pin stands at right angles to the fabric and goes through both layers. Use the marking instrument of your choice, whether tailor’s chalk or the newest option, gel pens that disappear when heat from your iron is applied, to mark a small dot where the pin meets the fabric. Connect sewing lines shown between the dots by using a ruler and the marking method of your choice. Don’t forget to mark both sides of the pattern piece you’re working with if you have cut it out from two pieces of fabric. Always place marks on the wrong side of the fabric, you can put temporary dots on the right side later on.
Notches can be marked two ways. One school of thought says notches should always be cut out in their entirety, leaving a little triangle outside the cutting line to be aligned with its mate on another pattern piece. On the other hand, you have sewers who are too impatient to take the extra second required to cut carefully up and down the tiny triangle that indicates a matching spot. Such sewers prefer to cut straight along the cutting line and make a small — and it should be very small — clip at the spot where the notch is indicated. You’ll notice that in some cases, sleeves, for instance, there will be a single notch on one side of the pattern and a double notch on the other. These notches are crucial to take note of — I was very annoyed with myself the first time I didn’t accurately notch sleeves that I was sewing and ended up very carefully sewing in a sleeve that hung backward on the top I was making. Not a happy moment in my sewing room!
There it sits, your sewing machine, waiting to help you create beautiful clothing or craft items. For someone who is just starting out, their sewing machine can be a tool that they have a love/hate relationship with. You’ll be happy to know that all sewing machines come with the same basic features and because the design of a sewing machine itself hasn’t changed in over a century, those features are located in similar places on most machines. Once you’ve learned how to use a sewing machine, this knowledge transfers easily from one machine to another, just like driving a car, the principles are all the same.
The user manual for your machine is an invaluable resource, so it’s smart to spend some time looking through it. You will probably find yourself going back to it frequently as you take on more complex projects like buttonholes, but learning the names of the essential parts will give you a good start on the road to successfully using your sewing machine.
Your sewing machine manual is also an excellent resource to help you figure out what all the dials and buttons on your sewing machine do. Most of today’s machines have at least one large knob that can be used to select stitch length and width, moving you from the basic straight stitch to zigzag stitch quickly and easily. Many models also allow for the sewing needle to be positioned to the left or right of the center of the presser foot.
Adding small computer chips to sewing machines has increased the number of specialty or decorative stitches that beginning sewers will delight to try out. These stitches are often accessed by push-buttons that show numbers or pictures that represent the type of stitch being selected.
Other dials on your machine are used to adjust the thread tension as it goes through the machine, helping to keep the stitches in the fabric neat and even on both sides of the fabric. A small screw is used on some models to adjust bobbin tension directly on the bobbin or on the bobbin case itself.
These two stitches are the most commonly used by beginners:
The manual that comes with your sewing machine is also a valuable resource when something goes wrong with your sewing. Thread tension is one of the most common glitches that happen when we first start sewing. Your sewing machine may even seem to suck the starting edge of your sewing down inside instead of moving it smoothly over the feed dogs. Sewing machine manuals have clear, easy to follow diagrams that help you to easily see where the thread should go through the machine and how to remove fabric from under the sewing surface if necessary gently.
I once managed to get the bobbin holder in my sewing machine so jammed with thread that it was nearly impossible to turn the Balance Wheel manually. How did I this? I had fallen into the bad habit of not making sure that both the upper and lower threads were firmly held out of the line of stitching when I made the first stitches at the start of a seam. This resulted in one or both of the threads being pulled down into the bobbin area of my machine and tiny lengths of them gradually built up in an extremely narrow gap between the bobbin case and the shuttle that moves the top thread around the bobbin. The buildup was removed, eventually, but it meant a trip to the repair shop and a week or so without the use of my machine. Some days when I’m in a rush to start sewing, I still forget to keep the threads firmly under the presser foot. Fortunately, it hasn’t caused any more problems with my sewing machine.
Sewing in a straight line can be challenging if you’re doing it by hand. Using your sewing machine, it is possible to turn out beautifully straight seam lines with a minimum of effort. A plain, straight stitch is the foundation that all sewing builds on.
The face plate of your sewing machine (this is the metal plate where the feed dogs and the presser foot meet and hold the fabric in place when you are sewing) has lines on it that indicate the most commonly used seam allowances. These lines will be labeled in either fractions of an inch (3/8) or millimeters (10) and show the distance from the raw edge that the seam will be. Keeping the raw edge of the fabric running along the desired line as you sew will give you a perfectly straight line of stitching with a minimum of fuss. Many sewing machines feature these marks on either side of the presser foot for ease of sewing a variety of projects. If you are having difficulty seeing the marking line easily, you can put a piece of colored tape on the line you’ll use most often (5/8” or 10 mm is the most common) and then line up the fabric edge along it as you feed the fabric slowly through the presser foot and needle.
Sewing a straight seam can seem overwhelming at first, but once you’ve mastered using the markings to guide your fabric placement, things will go smoothly. Working with curved pieces of fabric can be easily done when you have marked the faceplate guidelines for ease of reference. There will be times, however, when you must rely on the markings that you have transferred from the pattern to get the sewing line right.
After your sewing machine’s straight stitch, a zigzag stitch is the one most likely to be used in most sewing projects. Applique, buttonholes, and buttons are all parts of a sewing project that are made easier by a sewing machine, and all of them use a simple zigzag stitch.
Many modern machines today come with 10 or more basic sewing stitches built in, making it easy for the beginning sewer to complete more challenging projects with the push of a button or turn of a dial.
Hurray! You’ve finished your first sewing project. All the machine sewing is done, and you’re ready to turn it right side out and admire it … right? You’re nearly done, but there may still be a few final things to do in order to get the finished look you’re expecting. Many times, I’ve heaved a sigh of relief that I’ve finally finished sewing, and rushed to admire the result, only to discover threads sticking through seams at surprising spots and wrinkles spoiling the overall look of my hard work. Taking that extra minute to clip threads at the end of seams and trim bulky seams are two essential steps for finishing your project successfully.
The end of a sewing project, even one for beginners is often the time when hand sewing is necessary. Sewing machines have advanced to the point where it is possible to do virtually everything using your machine, but there may be certain things that you want to try doing by hand, just for the satisfaction of knowing that you’ve added to your sewing skills.
I know, everybody hates to iron, but once you’ve mastered sewing, you will quickly see that the final touch to the project you’ve worked so hard on is pressing out the wrinkles that have mysteriously appeared on it. Cotton and linen are hands down the easiest fabrics for a beginner to learn to sew on. Unfortunately, they are also the worst for wrinkling. To a beginner it may seem like these wrinkles are set in stone, so ironing is an important finishing touch to make your hard work look perfect.
Even after 20 years of sewing — give or take — I still make mistakes when I sew. The biggest thing I’ve finally learned is not to rush when I sit down at the machine and start sewing. Reading the pattern carefully is part of this, as is taking the time to put in enough pins to really hold things together securely. If you are taking the time to pin something together, it is always best to pin it together properly, so nothing moves out of alignment. This is especially important whether you are cutting delicate fabrics or sewing small curved seams when it comes to pins, more is usually better.
With those thoughts in mind, here is my list of common mistakes that can easily be avoided by someone beginning to sew:
There it sits, your very first sewing project! You can rightly feel proud of what you have accomplished. Sewing takes skill, and as you work your way through the frustrations that we all experience, your appreciation of the effort that early seamstresses put into creating perfect quilts and other accessories, as well as clothing will grow.
Having patience is an asset in all aspects of life and sewing is no exception. Slow down and enjoy what you are creating, then when you’re ready to move on, you’ll be able to sew more complicated projects without hesitation confidently. I frequently stumble across almost finished projects that I have hidden at the bottom of my cedar lined fabric trunk and realize that what frustrated me at the time was so minor that I should have fixed it right away. However, we all reach a point when stepping away from a project (even briefly) is a good plan. Things are always easier to do a day (or year) or two later!
For beginning sewers, there are many fabulous inventions and practical accessories that will let you sew as well as (or better than) someone with years of experience. Now that you’ve mastered the basics of sewing – straight seams and using the right tools for the job – you’re ready to move on to more complicated patterns and projects. Beautifully fitted jackets and reupholstering furniture is well within reach, now that…you can sew!
Most people are familiar with the term basting in cooking, but may not understand what is basting in sewing. Anyone who sews has heard the term "basting," but may not be familiar with the process. Experienced seamstresses understand the importance of using basting as a temporary method of holding fabric together before making the final stitches to complete the project.
Hand basting is simply using a running stitch, which many consider easier than using a sewing machine. Both using a sewing machine and basting by hand incorporate the time-tested technique for temporarily holding pieces of fabric together for a variety of sewing tasks.
Hand basting is used to hold trim or a seam in place before sewing it permanently.
The process of basting is sometimes known as tacking. Tacking stitches are often used to hold a pleat together such as a kick pleat on a woman's skirt. These tacking stitches are intended to be removed before the garment is worn. This basting stitch is made by pulling a needle up through the fabric layers until the knotted end stops the thread.
These stitches continue until the end of the fabric is reached. The thread should then be cut and secured with a simple knot. These stitches should be loose and easily removed before finalizing the project.
It is helpful to use a different thread color for basting so that the basting stitches are easily distinguished from the permanent ones.
Almost all sewing machines come equipped with a basting stitch.
Sewing machine basting is much faster than hand basting. If the machine has an automatic setting for basting, it will switch to the longest length stitch setting which is about 5mm in length. These long stitches are easily sewn and just as easily removed later. The advantage of using the machine for the basting stitches is that it holds the fabric better than pins.
After setting the stitch length to the maximum, continue to feed the fabric through the needle slowly. Use a contrasting thread color to make it easier to remove basting stitches.
When pillows or draperies need upgrading, it is easy to add trim to give them a new look. The best technique for adding trim to these items is to baste the trim into the seam. Basting ensures that both sides of the fabric are securely held in place for the final sewing.
Basting stitches are especially important in quilting. The many layers of batting, backing, and the quilt top itself must be properly lined up before beginning the quilting process. Basting keeps the layers from slipping by sewing the removable stitches all the way across the surface of the quilt. This extra step contributes to the success of the finished quilt.
Seamstresses use basting stitches to make fitting easier. The longer removable stitches allow for adjustments of the garment before making the final stitches. The stitches are usually sewn where the final seam will be placed. This step helps with actual measurements. It is helpful to baste a zipper into a garment before sewing in permanently.
Many sewing novices wonder why they need to baste. They do not yet understand that it is one of the most useful of all sewing techniques.
Many feel that it takes too much time to make temporary stitches that will be removed and replaced by permanent ones.
Securing multiple layers of fabric before permanently sewing them prevents having to rip out imperfect seams and start over. This extra step of basting typically ensures a better finished project.
I have scoured the web and put together a list of what I consider to be the top 100 free sewing patterns. This is a random ordered list - It is hard for me to say that one pattern is better than another 🙂
If you are new to sewing and stumbled upon this page, you may find my product reviews section helpful too. Or check out my reviews of the best sewing machines on the market.
Hope this list helps!
You can sew a perfect running stitch or do a blanket stitch that would make your grandmother proud and even look even better than if it were sewn on the best sewing machine....like one of these. But equally important is your ability to finish off that hand-sewn masterpiece to make it last.
The method for finishing off hand stitching varies from person to person, but basically, you are tying off the thread in your project. Here are several different methods for finishing a hand-sewn project.
I found this finishing edge course on Craftsy to be very helpful, check it out:
Alternatively, after pulling the loop tight, you can pass the needle through the knot itself to secure it.
(Especially good for the blanket stitch)
Note: If your needle is double-threaded, make sure your needle clears both threads in the loop before tightening into a knot. Accidentally catching only one thread is easier to do than you might think, resulting in a knotted nightmare!
Finishing off your hand sewing can make the difference between a project that falls apart or one that endures. There’s more than one way to do so. It’s all a matter of preference. Just pick whatever method works for you and have fun sewing!
I found this finishing edge course on Craftsy to be very helpful, check it out:
If you enjoy designing your own clothing or making crafts, then you can use a variety of methods for attaching the fabrics. Today, there are high-quality fabric glues available at fabric and hobby stores. To make items that won’t fall apart, it is important to choose the right types of fabric glues along with using the adhesives properly. If fabric glue isn’t appropriate for a project, then you can stitch the materials with a machine or by hand.
1: Making Durable Everyday Garments
You shouldn’t use fabric glue when you are making garments because you will want to wash and dry the clothing numerous times. While some fabric glues are washable, the adhesives are not suitable for holding a garment together all of the time. It would be embarrassing to have the seams of a dress or slacks come apart while you are out in public 🙂
2: Adding Embellishments to Clothing
If you are adding an embellishment to a garment, then in many cases, fabric glue is suitable. Fabric glue is perfect for attaching a metallic stud, button or badge to a garment that you only plan to wear occasionally because you will seldom need to wash it. Make sure to select washable glue, and also, follow the directions on the package carefully.
3: Craft Projects With Children
When you are doing craft projects with children, using fabric glue is a fantastic option to avoid injuries. If you are working one-on-one with a child, then it is easy to monitor him while using a sewing machine. However, working with several children at one time makes it more difficult to prevent a cut from a sharp sewing needle. Always choose nontoxic fabric glues while working with children, and make sure that they keep the adhesive away from their skin or eyes.
4: Holding Fabrics or Embellishments In Place Temporarily
Spray fabric glues are perfect for holding embellishments such as rickrack in place while you are stitching it with a sewing machine. Using hundreds of sewing pins to hold a long section of rickrack in place requires a lot of time, and in addition, you can prick your fingers while sewing on the embellishment.
5: Fast Repairs During Emergency Situations
If you are walking out the door and notice that your skirt’s hem is ripping, then you can make a fast repair with spray fabric glue. This type of repair will last for a few hours, but it isn’t a permanent solution for the problem. Spray glues are temporary, and the adhesive in the skirt’s hem will wash away during the laundering process.
6: Designing a Quilting Project With Appliques
When you are working on a quilting project with appliques, you can use a spray fabric glue to hold the embellishments in place while you create a design. Choose an adhesive that doesn’t leave any marks on the fabric so that you can move around the appliques several times. After finalizing your design, you can add another layer of fabric glue to hold the appliques in place while you are stitching the quilt with thread.
7: Using Unusual Materials For a Project
If you are using unusual materials for a project, then fabric glue is better than sewing the leather, vinyl or plastic. Stitching through thick materials is difficult, and it may break a sewing machine’s needle during the process. Also, making numerous holes in plastic, vinyl or leather can damage the material, but the right type of glue won’t harm the fabric.